Biography
Alan
Jackson has always understood that country music is about
connection—a contemporary connection to the icons of the
genre, as well as the human connection passed from parent to
child, neighbor to neighbor, friend to friend. It is this
respect for both the music and the lives which encompass it,
that has made him one of today’s most beloved artists.
His fans have responded in
force. Having sold 36 million albums worldwide since his 1989
Here In The Real World debut, Jackson will enter 2002 on the
crest of his 29th career #1 song, “Where Were You (When The
World Stopped Turning).” Notably, it is also his 21st as a
songwriter; an unprecedented feat that places him at the top of
ASCAP’s rarified ‘Number One Club.’ “Where Were You
(When The World Stopped Turning)” is the first release from
his eleventh Arista/Nashville album, Drive
(January 15).
Jackson also celebrated a
number of hallmarks in 2001. His recording of “Where I
Come From” spent three weeks at #1. The awards kept
coming—the fans spoke loudly and from the heart when they
honored him with six TNN & CMT Country Weekly Music Awards.
Along the way he racked up his 50th Country Music Association
award nomination, a stunning achievement that places him second
on the all-time CMA nominations list.
A superstar who has never
strayed from his roots, Jackson was honored by his home state in
2001 when he was inducted into the Georgia Music Hall of Fame.
Never one to forget the ones that brung him, he also performed a
benefit concert in his hometown of Newnan which raised over
$200,000 for an emergency children’s shelter.
All of this speaks to the heart
of Jackson’s appeal—a country superstar who remains
down-to-earth in the face of all the accolades the industry can
throw at him. Every CD he’s released has been a roots tour de
force, and that has not changed with his new CD, Drive,
where the acclaimed songwriter pens nine of the thirteen tracks
himself. Jackson’s writing, his singing, his very life, have
been tributes to country music’s greatest strength: human
connection.
Nowhere is this better
expressed than on the opening track “Drive (For Daddy
Gene),” Jackson’s tribute to his late father, a mechanic who
worked in the Ford plant near Jackson’s hometown of Newnan,
Georgia. Accompanied by the rootsy, acoustic strains of
harmonica, mandolin and guitar, Jackson reminisces about his
youthful attempts at learning to drive a boat and a pickup truck
under the watchful eye of his dad. The lesson is passed from
father to son. The years pass, the cycle turns, but for Alan
Jackson, the ancient connection remains and is passed down to
his own children:
“I’m
grown up now, three daughters of my own
I let them drive my old Jeep across the pasture at our home
Maybe one day they’ll reach back in their file
And pull out that old memory
and think of me and smile.”
Also in evidence on Drive
is the connection between friends, displayed on “Designated
Drinker,” Jackson’s duet with longtime pal George Strait.
Having collaborated in the past on the CMA Award-winning hit
“Murder on Music Row,” these two top traditionalists reunite
in the studio for a heartfelt paean to male friendship. The song
eloquently points out that in times of heartache, a true friend
is there to lend a non-judgmental shoulder to cry on:
“I came
here to get you to help me
I need a friend to see me through
I hated to call, I knew you wouldn’t mind at all
I know you know I’d do the same for you”
And then there is a flawed
husband’s funny and touching attempt to explain to his wife
that he’s just a “Work In Progress.” Jackson’s witty
spin on the “Men Are From Mars, Women Are From Venus”
dichotomy of marriage will no doubt bring a laugh of recognition
from spouses nationwide.
Elsewhere, Jackson nails the
universal sadness of a broken heart (“A Little Bluer Than
That”), the simple comfort true love brings in the face of the
nine-to-five grind (“Bring On the Night”), and a man’s
regrets over a woman’s tears (“The Sounds”). Delivering
straight from the heart, Jackson connects with his fans where
they live.
And in the case of “Where
Were You (When the World Stopped Turning),” that place would
be America. After the horrific events of September 11, Jackson
found himself doing what all sincere country songwriters have
done since the very beginning: he awoke in the dead of night and
put his heart to paper and pencil. Performing the song live for
the first time at the CMA Awards on November 7, he expressed his
own deeply personal sense of heartbreak and hope. An aching
nation responded to “this singer of simple songs” by
flooding radio stations of multiple formats with requests to
hear the song before a studio version was even complete. (Within
24 hours after the CMA Awards, hundreds of radio stations across
the country downloaded the televised broadcast and added it to
their playlists, and Alan’s own website received over 400,000
hits from fans.) The song consequently went to #1 faster
than any other country single in the past four years. Alan
received thousands of letters from fans across the country, and
within weeks of the performance the lyrics were even entered
into the U.S. Congressional Record. Included on Drive
are two versions of “Where Were You”—the studio cut and
the live version from his CMA performance of November 7, 2001.
In an increasingly confusing
world, Alan Jackson’s music continues to bring us back to this
very simple yet profound tradition: Country music has always
been by the people, of the people, and for the people. As a
singer and songwriter, he has never shied away from all that
means: the flaws, the pain, the regrets, the broken hearts.
But neither has he forgotten
that it is the human connection—the one that extends from
father to child, from husband to wife, from neighbor to
neighbor, from citizen to citizen—that, in the end, is the tie
that binds us to one another, and allows us to overcome even the
hardest times. As the man himself puts it:
“Faith,
hope and love are some good things He gave us, and the greatest is love.”
In the end, it is
Vince Gill—who can be heard introducing Jackson on the live
version of “Where Were You”—who cuts straight to the heart
of Alan Jackson’s enduring appeal: “The songs that he writes
always tell it like it is—simple truths that come from his
heart.”
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